Weave
Florence table
Tablecloth (close-up)
I primarily work with and through glass, but I also use other materials like textile, metal, ceramic and epoxy. Through my work I got to a point where I started to question the
current ideals that are connected to form within our field, and to be able to
continue with glass; I had to find a texture or expression in glass that was not
shiny, thin and all of the other things that I learned glass should be. This led
to the development of a new technique called Burn-Out. This material
development has now become my method to question a norm of perfect smooth
surfaces and the power structure that supports and maintains that hierarchy of
expressions.